The second piece on the program is Haydn’s Sinfonia concertante. Prokofiev once called those scales “wind passing through a graveyard.” Indeed they sound like a spirit released from the earthly world. The scales that were heard in the first movement come back, now sounding as if they are very far away. The fourth movement is a fierce dance that surprises in its haunting ending. Then in the third movement the xylophone creates a dreamlike sound. The second movement is harsher, as Copes strikes the strings in fury. The music makes your breath stop with its lilting scales that sound like waves. It continues as a rich tapestry of sounds, with overlapping phrases. The piece begins with the bass players taking on the creeping low notes, which the violin responds to with ominous trills. Two of the movements were played at Prokofiev’s funeral, after the composer died the same day as Stalin.Ĭopes, wearing a ribbon with Ukraine’s colors, soars in his playing, and seems almost buoyed by the new arrangement played by his fellow musicians. The work holds the weight of those events within it, and ghosts speak through it. Prokofiev didn’t complete the sonata until after the end of World War II, in 1946. That was at the time Stalin embarked on his “great purge” where he killed hundreds of thousands of his enemies and sent millions more to forced labor camps. Prokofiev began writing the piece two years after he returned to the Soviet Union after living abroad, in 1938. He urged audience members to search up the original. Speaking before the world premiere Friday evening, Prutsman said it took over a year to make the arrangement, but that work in no way compared to the genius of Prokofiev himself. 1, with the orchestra taking on the piano part. Stephen Prutsman, an artistic partner with the orchestra from 2004-2007, was commissioned to arrange Prokofiev’s Violin Sonata #1, originally composed for violin and piano, as Sonata for Violin and Orchestra, No. The SPCO still requires masks at venues that are not the Ordway, which happens on Sunday when the performance takes place at Ted Mann Concert Hall. With capacity capped at 50 percent, around a third of the audience seemed to not be wearing masks. Having this opportunity to share the music Laura recalled in her unforgettable novels is nothing less than a dream come true.Friday’s performance at the Ordway Concert Hall marked a new chapter in the ongoing shifting landscape of the pandemic: masks were no longer required, and the venue no longer checks vaccine cards. Says Dean Butler of the production, “Dale Cockrell loves traditional American music and I love the stories of American pioneer life written by Laura Ingalls Wilder. The DVD release contains 14 performances with a bonus features including a performance from Natalie Grant, notes on Pa's Fiddle Music from Dale Cockrell, and the video short Little House on the Prairie: Legacy of Laura Ingalls Wilder.Īn effort co-produced by Dean Butler (“Almanzo” on the Little House on the Prairie TV show) and esteemed musicologist Dale Cockrell (President of Pa's Fiddle Recordings), PA'S FIDDLE: THE MUSIC OF AMERICA features performances from some of the finest of today's acoustic musicians, enlisting the talents of award-winning musician and musical director Randy Scruggs and all-star “ Pa's Fiddle Band” with Matt Combs (fiddle), Dennis Crouch (upright bass), Chad Cromwell (drums), Hoot Hester (mandolin) and Shad Cobb (banjo), along with featured artists Randy Travis, Rodney Atkins, Ronnie Milsap, Ashton Shepherd, The Roys, Natalie Grant and Committed ( NBC Sing Off Champions). PA'S FIDDLE: THE MUSIC OF AMERICA, the PBS special broadcast, will air throughout the nation this June during pledge-drive season and will be available for national broadcast over the next two years. For the first time, in January 2012, a concert based on this music was performed before a live audience at the Loveless Barn just outside of Nashville, TN for broadcast by the PBS television network. Little House on the Prairie, the autobiographical book series by Laura Ingalls Wilder, holds in its pages a comprehensive review of 19th-century American folk music via the very real character of Charles “Pa” Ingalls (1836-1902), a highly acclaimed fiddler of the time and Laura's own non-fictional father. “If you want to know the spirit of those times, you need to know these old songs,” -Laura Ingalls Wilder Live concert performances of the music of the Little House on the Prairie books by Laura Ingalls Wilder.įeaturing Ronnie Milsap, Randy Travis, Rodney Atkins, Ashton Shepherd, The Roys, Natalie Grant and Committed.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |